Bookshelf

A New Recording

Derek McCulloch has very kindly sent us the following early notice of a forthcoming CD release.  The Piano in question is the Southwell in the picture below, but this picture was taken on a different occasion, in Chawton Parish Church.


Haydn à l’anglaise

Emma Kirkby soprano Rogers Covey-Crump tenor Jenny Thomas flute Ian Gammie guitar Alastair Ross square piano

Nimbus NI6174

Dear Friends and Followers,

A new Caf Mozart CD will soon be available. It will be issued by Nimbus in February 2012 and launched in the Bodleian Library in Oxford on March 30th, in the context of a lecture and an Exhibition of the scores, all of which are housed in the Library.

Of the 20 Tracks no fewer than 18 are world premieres. The CD comprises 9 songs, 6 “ballads”, 2 Canzonettas and 3 keyboard solos by Haydn’s pupil Thomas Haigh ‘of Manchester’, based on music by Haydn, to whom they are in part dedicated. All the vocal items are sung in English, mostly to the texts that had been published in the 1780s prior to Haydn’s arrival in 1791. Two of the texts, for reasons given in the 24pp booklet, are new translations by Derek McCulloch. Two others are sung to the original texts, before they had been set by Haydn to German translations. Neither Haydn nor the English publishers will have been aware of the provenance of those two texts.

Those songs that describe themselves as “ballads” will have come as something of a surprise to Haydn, if he ever heard them. Indeed they were originally not songs at all, but are instrumental music “adapted to English words”, in fact poetry by the leading figures in 18th century England.

Two of Haydn’s most popular English ‘canzonettas’ of the mid-1790s, The Sailor’s Song and My Mother bids me bind my Hair, lead seamlessly into adaptations for solo piano or harpsichord by Thomas Haigh, played on our square piano of c1798. All the instruments used are period instruments.

The star-studded cast of Caf Mozart comprises some of the most prominent names in the field of early music, both nationally and internationally. They are, however, personal friends who have known us and worked with us at some time since we all set out together some 40 years ago.

 

When issued the CD will retail at £13. However, if you agree to buy from us directly between now and the end of March, we will sell them at a special subscription price of £10 incl. p&p (or €12.50). We will not ask you for any money until the CDs are with us, when we will send you a reminder of your order. Cheques should be made payable to “Cafe Mozart”. Paypal payments must be made in £sterling via the e-mail address below. Orders from within Germany can be settled via my Euro account: Postbank (BLz 70 11 00 88, Konto-Nr 3051 278 329). Unfortunately payments from elsewhere in the Eurozone cannot be made into that account. Other than Paypal we suggest bank notes well concealed as the cheapest form of payment (2 copies for €25 will avoid send coins!). If your company would like to purchase as corporate gifts we have a special price and we can incorporate the firm’s logo in place of the bar code (multiples of 25 only). Please enquire if interested.

This is a most unusual CD and we hope we will be hearing from you!  Derek McCulloch

Caf Mozart Enterprises
Proprietor: Dr Derek McCulloch
64 Frances Rd
Windsor SL4 3AJ

Tel: 0(044)1753 831064

enterprises@cafe-mozart.org.uk

Please reserve for me _____ copy/copies of Haydn à l’anglaise at the special subscription price of £10 (€12.50) incl. p&p. I will make appropriate payment when the CD is issued in February 2012.

 

Name: ………………………………………………………………………………………………

Address: ……………………………………………………………………………………………

……………………………………………Post code ………   …… UK tel. no ………………….

e-mail address: ………………………………………………….. [Please print clearly!!!]

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Books

The British Art Piano and Piano Design - Volume 1
By G. S. Gadd
(The Very Yellow Press 2006 ISBN 978-0-9553264-0-0)
This lovely book gives a completely fresh viewpoint on the early piano, with an emphasis on design,taste, and social history.  The scope includes everything from the plainest Zumpes and their derivatives, to the most elaborate pianos ever made.  There are many fascinating and diverting historical anecdotes.  Sadly, the book is not available for general sale, but copies have been given to a number of main public libraries in the UK  and Ireland, including The British Library  and public libraries in  Westminster, Birmingham, Dublin, Manchester, Liverpool, Leeds, Sheffield, Edinburgh, Dundee, Cardiff, Swansea, Newport (Gwent), Belfast, Richmond (Surrey), Twickenham, and Hammersmith.  In the USA, New York and Los Angeles have copies.  In addition, many of the principal Music Colleges , Galleries, Museums, and Musical Collections throughout the world have copies, but these are not necessarily available for public reference.  Please e-mail for details of a collection near you.


Makers of the Piano 1700 - 1820 and Makers of the Piano Volume 2 1820 - 1860
By Martha Novak Clinkscale
(Oxford University Press 1993 ISBN 0-19-816323-1 and 1999 ISBN 0-19-8166257)
These two splendid books are the first I look at to see how a 'new discovery' (for me) fits into the story, or to see if anything is known about the work of an unfamilar maker.  They represent the publication of the first part of the extensive database which Martha (together with John Watson) are compiling.   We all have an opportunity - even a duty - to make this as comprehensive as possible; see the page 'Register your Piano' on this website.  These specialist books are not cheap, but are truly fascinating.  Grouped by makers, each piano is described with data including last known location, and serial numbers where possible.


Two excellent books by Michael Cole are a 'Must Have' for any square piano enthusiast:

'The Pianoforte in the Classical Era'. (Oxford University Press 1998, ISBN 0-19-816634-6) This is a technically-based  book about Early Pianos of all kinds, with plenty of invaluable data about our favourite squares.  Available from OUP via their 'Print on Demand' system, which means a delay of anything up to eight weeks.  Well worth the wait!

'Broadwood Square Pianos'.  (Tatchley Books, 2005, ISBN 0-9551777-0-7)  The title says it all - what more could you ask?  Available directly from the Author at Tatchley Press, 334 Prestbury Road, Cheltenham  GL52 3DD.  Immediate despatch for £40 UK postage included.

Michael also has a few copies of 'The Square Piano in Rural Pennsylvania', available from the same address for  £5 UK postage included.  I can thoroughly recommend this - is was written to accompany an exhibition in Bethelehem Pennsylvania, in November 2000.  Included in its 46 pages are colour photographs of some refreshingly 'different' square pianos from the late eighteenth and early nineteenth ceturies.

Recordings

 There are of course many recordings of music played on Early Pianos, but the majority of these feature Grands, either original or replicas.  This section of the site will feature a few of my own personal favourites.  
The selection makes no attempt to be a complete listing, but there is some effort to include a range square pianos, from the earliest to the later models. Please note that some of the recordings may not be available as new copies.  As with everything else on this website, suggstions for inclusion are welcome - if you have a favourite recording, please share it with 'Friends'.

  My favourite 'Desert Island Disc' has to be the charming record "Jane Austen Entertains" on The Gift of Music CCL CDG1187.  www.thegiftofmusic.com  This album consists of  pieces for piano alone, some with the lovely voice of Sara Stow, and some with Jenny Thomas on German Flute.  Martin Souter plays the piano. These are small-scale pieces in a domestic setting, recorded in Jane Austen's home in Chawton, Hampshire.
A further attraction for me is that the piano is a Clementi just like mine - and happily, it sounds just the same! Highly recommended.

  Joanna Leach has made a splendid collection of recordings on discs for Divine Art Limited www.divine-art.com   'Three Square' and 'Four Square' feature pianos by Longman & Briderip, 1787; Broadwood, 1789; Broadwood, 1823, Stodart, 1823; and D'Almaine, 1835.  'A Century of Domestic Keyboards  adds a Clementi of 1832,  as well as a Thomas Barton spinet.

  Three from Finchcocks:  'Consolations', FPCD001, Finchcocks Amon Ra CD-SAR 6, and 'Company of Pianos' CD with book of the same name, feature a  range of pianos in the collection, including Zumpe & Buntebart 1769, Adam Beyer 1777,  Crang Hancock Transverse Grand 1779 (yes, I know it's not exacly 'square') Broadwood 1795, Broadwood 1801, Anton Walter c.1800, Stodart 1807, and Clementi, 1820.

  A Clementi of  1832 (One of the very last under Clementi's name!) features on Athene ATH CD4 (Sonatas by Clementi, played by Peter Katin).